Olivia Erlanger politely asks me to hold the call while she scrolls diligently through her screen cap folder. The lengthy…
The French philosopher Jacques Rancière calls it the encounter. One could also call it the invitation. The idea is to…
“Forms Larger and Bolder” at mumok in Vienna concentrates on a selection of drawings by Eva Hesse, all from the…
Titling an exhibition “Museum” is nothing if not an ambitious gesture. At a moment when art institutions are being rigorously…
Heimo Zobernig’s schwarzescafé in the Löwenbräu art complex is currently hosting the first Swiss solo exhibition of US-based artist Tony…
In 1974, the CIA green-lit a 350-million-dollar cover-up operation to salvage a sunken Soviet sub from the depths of the…
“Something that feels like vision but does something your eyes could never do.” The voiceover of Z = |Z/Z•Z-1 mod…
Tate Modern’s Nam June Paik survey is zeitgeisty — immersive and Instagrammable, like Olafur Eliasson’s concurrent show in the Switch…
Dear Reader, “I grew up thinking images were facts. I now have the impression that images are like memories. They…
Spread across four floors and spanning six decades, Hans Haacke’s retrospective at the New Museum — his first museum show…
Nostalgia for 1990s TV, film, web culture, or art should not seduce anyone who lived through it the first time…
The Belgium-based South African conceptualist Kendell Geers recently held a wide-ranging and powerful gallery show in Johannesburg, the city of…
Jessi Reaves’s New outfit standing container (all works 2019) is a darkling. Three antilopine console legs support an upturned, cankered…
A collective endeavor of Greek antiquity — no less than eighty different artists worked on the frieze alone — the…
Since the late 1960s, British artist Anne Bean has been singularly dedicated to performance and relational art that exists in…
Zeno X gallery presents “Dear Deer,” an exhibition by Belgian artist Dirk Braeckman. The show features new works by the…