Lygia Clark “Retrospective” Neue Nationalgalerie, Berlin
Mies van der Rohe’s idea for the Neue Nationalgalerie in Berlin was based on an earlier project for which he…
Magazine Articles
Compassionate Pessimism. Cécile B. Evans
A memory: Before reconnecting with them a few days ago in preparation for this text, I had last spoken to…
Race, Property, Rebellion. Cameron Rowland
They remained oblivious to the worlds within worlds that existed just beyond the edge of their awareness and yet were…
Peter Fischli “People Planet Profit” LUMA Arles
“People Planet Profit” brings together several groups of works from the past decade, which Peter Fischli has combined into a…
Are All Crises Equal? A Conversation with MOS’s Michael Meredith and Hilary Sample
Michael Abel: Currently, the prevailing mindset within the field of architecture centers on crises. But there is a noticeable disconnect between…
“Magic Realism: Imagining Natural Dis/order" WIELS, Brussels
“Magical Realism: Imagining Natural Dis/order” — which reconsiders our relationship to the planet at a time of climate emergency —…
Seoul: Glitch City
Plans are always copy-pasted. There is no planning, no imagination. Seoul is not built; it is generated through calculation. Buildings…
“akâmi” Camden Art Centre, London
How do objects speak when language falls short? What does it mean to cross — not just borders, but generations,…
Total Warfare. A Conversation with Luigi Alberto Cippini
Michael Abel: First question — how does Volumes begin? Luigi Alberto Cippini: What I tried to do, within my limitations, was to make something…
And Yet. Diego Marcon
“I like the term pervert or perversion,” says Diego Marcon, speaking to me during an early June heatwave, his Italian rrrrrs rolling deliciously. He’s…
Wolfgang Tillmans “Nothing could have prepared us – Everything could have prepared us” Centre Pompidou, Paris
This September, Centre Pompidou will close for five years, beginning an extensive renovation process that includes asbestos removal and essential…
And Fate. Andra Ursuța
Why so much grief for me? No man will hurl me down to Death, against my fate. And fate? No…
Down Country. Eloise Parry
Here in these parts, flocks of grazing sheep are daubed in bile yellow or scarlet red paint to demarcate property:…
Louise Bonnet and Elizabeth King “De Anima" / Swiss Institute, New York
Are we the body, or are we the soul? This age-old philosophical dilemma is at the heart of a striking…
The Curator as Cartographer: Mapping the Intangible with Ziyi Xiong
Ceramics, ancient history and contemporary art – the exhibitions curated by Ziyi Xiong look beneath the surface at the…
Loop: Substance and Circumstance. Olga Balema
Repetition is the stuff of everyday life; it’s what we do. Even when I’m mixing it up, there’s a subjective…