Martin Wong “Malicious Mischief” Camden Art Centre / London
In a poem from the 1970s, Martin Wong, in his angled scrawl, urges a “poisoned garden,” a “temple of dawn,”…
In a poem from the 1970s, Martin Wong, in his angled scrawl, urges a “poisoned garden,” a “temple of dawn,”…
It might be unusual to begin a review by quoting a philosopher who lived some 2,600 years ago, but I…
In Harlem Renaissance writer Richard Nugent’s 1926 story “Smoke, Lilies and Jade,” the narrator remarks that it’s “funny how characters…
“Maybe you are extraordinary, and if you are, leave my temple, it’s a space for average people.” A line from…
“Nuit Américaine,” Marc Camille Chaimowicz’s solo exhibition at WIELS, spans more than five decades, grouping the iconic Celebration? Realife Revisited…
“Chryssa & New York,” currently on view at Dia Chelsea, marks a homecoming that is both institutional and personal. Although…
In a small vestibule painted library green (Benjamin Moore 699), personal artifacts from Barbara T. Smith’s archive, acquired by the…
The risk of partial reception or the flattening of content in thematic, muscular exhibitions like the one presented by the…
The first thing visitors hear upon entering the foyer of Fridericianum is a swelling, deeply unsettling noise. Cascade-like, akin to…
Metal artifacts are arranged neatly against the walls: the spectator is surrounded. From this description, you’d be forgiven for thinking…
“What am I? Which part of this body is me?” asks an animated figure in The Great Adventure of Material…
How do we experience an artwork? For most readers, and for me, our eyes receive and process it, often in…
In Alfatih’s exhibition “Day in the Life” at the Swiss Institute, the viewer becomes a new kind of observer: one…
The concept of impossibility changes over time, reflecting larger shifts in consciousness and zeitgeist. What is probable becomes common and…
My generation confronts the anxiety of death in a new and peremptory way. I was reflecting on this as I…
US artist cameron clayborn (b. 1992) made the sculptures homegrown #1 and #2 in 2021, and yet the wafer-thin structures…