Alex Margo Arden “Safety Curtain” Auto Italia / London

Auto Italia’s street-facing window displays facsimile posters for Les Misérables. On them, a text addendum reads: “Tonight’s performance has been…
Auto Italia’s street-facing window displays facsimile posters for Les Misérables. On them, a text addendum reads: “Tonight’s performance has been…
To be out of joint takes having perspective and moral fire; it takes disdain for the status quo and convention.…
“Ghost and Spirit,” the first major UK retrospective of Mike Kelley’s work, begins with “Personality Crisis” (1982). Three large signatures:…
Cosima von Bonin’s exhibition “Songs for Gay Dogs” at MUDAM, Luxembourg, is defined by dynamics of generosity and restraint: what…
“I’ve always been grossed out by the vagina,” my friend, a gold-star gay, deadpans as we survey the landmark group…
Martine Syms’s work combines humor and social commentary to addressAfrican-American consciousness, its relationship to feminist thought, radical theoretical models, and…
“After Images” at Julia Stoschek Foundation in Berlin is an exhibition without images — or almost. Most of the more…
Chiffon Thomas’s sculptures are a vexed dance between laws of prohibition and compulsion for transgression. For his solo show at…
A hole in the wall greets visitors to “Energies,” an international group exhibition at the Swiss Institute in New York.…
The exhibition brochure for Steve McQueen’s Bass (2024), which occupies Dia:Beacon’s 30,000-square-foot basement with sixty ceiling-mounted LED lightboxes and three…
I will start with a confession: I once bumped into Dana Schutz in the center of Athens on one of…
The etymology of the verb “desire” refers to the disappearance of a star from human sight — desidere in Latin.…
“For one scant day he had loved himself, felt himself to be unified and whole, not split into hostile parts;…
At a time of climate upheaval, when every action and gesture is examined in terms of its carbon footprint, it’s…
Marianna Simnett’s three-channel video installation WINNER (2024) occupies a vast space in Berlin’s Hamburger Bahnhof. Viewers enter through a dark…
Standing in front of Donald Rodney’s Visceral Canker (1990) — a seemingly living work, which this survey exhibition at Spike…