What Lies Beneath
Archaeology is not as far from contemporary art as it might first seem. Concerned with the recovery and examination of…
Archaeology is not as far from contemporary art as it might first seem. Concerned with the recovery and examination of…
Umberta Genta: When I saw your show “She Lay Down Deep Beneath the Sea” at Turner Contemporary, I instinctively felt…
Glenn Phillips: Both of you grew up in different parts of the United States — Judy you were in Chicago,…
Matthew Lyons: I thought we could start by talking about the art scene up in Buffalo where you’re from and…
Wendy Vogel: You’ve been a collector for years, and in May 2012 you opened a gallery in New York’s Upper…
The various drawings that comprise Biogenetics, the new artist’s book by Avner Ben-Gal, edited by Yael Bergstein1, are arranged sequentially,…
On the occasion of the reopening of the Palais de Tokyo, Paris on April 12, Gea Politi speaks to President…
Hans Ulrich Obrist: How did you come to art? Was there some kind of an epiphany? Nicholas Hlobo: It was…
Linda Yablonsky: The first time I saw your work, three years ago, I asked if you considered yourself a sound…
Maurizio Cattelan: Ciao, John. Can you hear me okay? John Henderson: Yes, I can hear you surprisingly well. MC: Let’s…
If I say “pumpkins and turbans,” the first thing that comes to mind might be the edible squash called a…
Florence Derieux: I keep a vivid memory of the first work of yours that I ever saw. Un chien andalou…
Alejandro Jodorowsky: I would like to start this alphabet with the letter B as the prologue. Bonsai. Why? Because you…
Patrick Steffen: When did you start working with Bas Jan Ader? Patrick Painter: When I first picked up Bas Jan…
It’s hard to miss Chen Tianzhuo when you meet him for the first time; whereas most artists in Beijing dress…
Due to its spread-out character, with a disproportionate number of artists dispersed over twenty venues and a multitude of topics,…