Takashi Murakami
Massimiliano Gioni: Let’s start with the title of the exhibition: “Murakami – Ego.” Takashi Murakami: “Murakami – Ego” is a…
Massimiliano Gioni: Let’s start with the title of the exhibition: “Murakami – Ego.” Takashi Murakami: “Murakami – Ego” is a…
Sara VanDerBeek: I came here excited having recently seen your exhibition “Available Light” (2012). It was so simple and luminous,…
For a woman of 83, you could say that Yayoi Kusama’s moment has been a long time coming. It’s not…
Ali Banisadr wakes up pretty early, goes for a run in Central Park, comes home, answers e-mails, reads the newspaper,…
Archaeology is not as far from contemporary art as it might first seem. Concerned with the recovery and examination of…
Umberta Genta: When I saw your show “She Lay Down Deep Beneath the Sea” at Turner Contemporary, I instinctively felt…
Glenn Phillips: Both of you grew up in different parts of the United States — Judy you were in Chicago,…
Matthew Lyons: I thought we could start by talking about the art scene up in Buffalo where you’re from and…
Wendy Vogel: You’ve been a collector for years, and in May 2012 you opened a gallery in New York’s Upper…
The various drawings that comprise Biogenetics, the new artist’s book by Avner Ben-Gal, edited by Yael Bergstein1, are arranged sequentially,…
On the occasion of the reopening of the Palais de Tokyo, Paris on April 12, Gea Politi speaks to President…
Hans Ulrich Obrist: How did you come to art? Was there some kind of an epiphany? Nicholas Hlobo: It was…
Linda Yablonsky: The first time I saw your work, three years ago, I asked if you considered yourself a sound…
Maurizio Cattelan: Ciao, John. Can you hear me okay? John Henderson: Yes, I can hear you surprisingly well. MC: Let’s…
If I say “pumpkins and turbans,” the first thing that comes to mind might be the edible squash called a…
Florence Derieux: I keep a vivid memory of the first work of yours that I ever saw. Un chien andalou…