Glenn Ligon “late at night, early in the morning, at noon” / Hauser & Wirth, New York
One enters the sequence of galleries at Hauser & Wirth on 18th Street, New York, with an initial expectation of an intellectually…
354 SPRING 2026
What Did Happen or What Might Have Happened or What Can Never Happen. Dustin Hodges
In the HBO series The Leftovers (2014–17), two percent of the world’s population vanishes without warning or explanation. The event,…
Nat Faulkner “Strong water” Camden Art Centre / London
The peppered moth was once almost entirely pale, flecked with minute dark spots that camouflaged it against lichen tree bark and stone.…
Tetherings. A Conversation with Mary Stephenson
During our conversation, Mary Stephenson used the phrase “ghost mark” to describe the inerasable traces left by previous marks on her painted…
Trisha Donnelly, MMK – Museum für Moderne Kunst / Frankfurt am Main
Writing about Trisha Donnelly’s work feels like a betrayal — or, at the very least, a contradiction in terms. Her…
No Romance. Gili Tal
Throughout my conversation with Gili Tal, freshly landed back in London after opening her solo exhibition “Soft and Bouncy” (2026)…
“SIDE CORE: Living road, Living space” 21st Century Museum of Contemporary Art / Kanazawa
It takes more than nine hours to drive from Tokyo to the Noto Peninsula by car. This remote stretch of…
Giangiacomo Rossetti “Résurrectine” Mendes Wood DM / Paris
In Giangiacomo Rossetti’s latest exhibition, “Résurrectine” at Mendes Wood DM, Paris, a mysterious yellow glows. Vivid and sickly, the color…