Live Forever. Anicka Yi
YOU HAVE TO LET GO OF THE PAST Anicka Yi often collaborates with biologists, chemists, engineers, and other specialists. For…
348 FALL 2024
Steve McQueen “Bass” Dia:Beacon / New York
The exhibition brochure for Steve McQueen’s Bass (2024), which occupies Dia:Beacon’s 30,000-square-foot basement with sixty ceiling-mounted LED lightboxes and three…
Between Jurassic Cocoons and Dry-Aged Anal Beads. Eva Fàbregas
A colony of massive, spherical forms infiltrates the panopticon architecture of M|A|C Mataró, a former prison turned art museum…
Dana Schutz “The Island” The George Economou Collection / Athens
I will start with a confession: I once bumped into Dana Schutz in the center of Athens on one of…
In the Cut. Frida Orupabo
Frida Orupabo’s work is uncompromisingly and unapologetically confrontational. Sifting through images in colonial archives, magazines, Tumblr, eBay, Renaissance paintings, B…
Edgeplays. Stanislava Kovalčíková
St. Sebastian is a kinky pussyboy, or a honeytrap. Spank me, Blasphemy! Beamed into a bucolic, peachy saturnalia, his cock-ringed,…
Of Shadows. Sandra Mujinga
Time as a passage. History as landscaping. Society as malaise. Bodies as construction sites. Language as technology. Nature as not…
Katharina Grosse “Shifting the Stars” Centre Pompidou-Metz
The etymology of the verb “desire” refers to the disappearance of a star from human sight — desidere in Latin.…
Very Public, Riyadh. A Conversation with Alaa Tarabzouni and Fahad Bin Naif
It’s about 45ºC on the street. I’m standing between a hardware store and a biryani restaurant, ringing a doorbell amid…
Echoes in the Garden: Marina Xenofontos
Other echoes Inhabit the garden. Shall we follow? — T. S. Eliot, “Burnt Norton” (1936) A beat bounces off a…
“Arcadia” Bally Foundation / Lugano
“For one scant day he had loved himself, felt himself to be unified and whole, not split into hostile parts;…
Same is More: Parisian Architecture à l’identique
For a century, architecture has been a crippled art — every building that has been built proves it; formal combinations…
Fantasies of Value: Sara Cwynar
Like most disasters, it’s said the day was cloudless. It’s June 11, 1955, at 6:25 p.m. at the 24 Hours…
Mortal Machines: Mire Lee
Deep down, bodies are messy. Really messy. Filthy, sweaty, and grimy. All the soaps, creams, pastes, and perfumes can scrub…
Glory Whole. Jack O’Brien
Jack O’Brien is a master of the tease. Though culturally laden with sexual connotations, its potency is driven less by…
A NEW (ART) WORLD
We are living in surreal times. A lot of unimaginable things have happened over the past eight months, and we…