Mortal Machines: Mire Lee
Deep down, bodies are messy. Really messy. Filthy, sweaty, and grimy. All the soaps, creams, pastes, and perfumes can scrub…
348 FALL 2024
Glory Whole: Jack O’Brien
Jack O’Brien is a master of the tease. Though culturally laden with sexual connotations, its potency is driven less by…
A NEW (ART) WORLD
We are living in surreal times. A lot of unimaginable things have happened over the past eight months, and we…
Storm Girl. A Conversation with Elizabeth Jaeger
“I alone (well, probably not) know the great secret of this existence, and I’ll have to live out the rest…
Jana Euler “Oilopa” WIELS / Brussels
At a time of climate upheaval, when every action and gesture is examined in terms of its carbon footprint, it’s…
How You’re Supposed to Be. A Conversation with Sylvie Hayes-Wallace
Sylvie Hayes-Wallace makes work by way of accumulation: out of the “ephemera” of living, out of emotional pain, selves and…
Submit to the Black Compost. 1 A Conversation with Rirkrit Tiravanija
I unfolded the letter and read the contents. The letter is a xeroxed copy. The first line of the letter…
Marianna Simnett “WINNER” Hamburger Bahnhof / Berlin
Marianna Simnett’s three-channel video installation WINNER (2024) occupies a vast space in Berlin’s Hamburger Bahnhof. Viewers enter through a dark…
Donald Rodney “Visceral Canker” Spike Island / Bristol
Standing in front of Donald Rodney’s Visceral Canker (1990) — a seemingly living work, which this survey exhibition at Spike…