#323 Nov 2018–Jan 2019

I Am My Body: On Judy Chicago’s Birth Project¹ by Viki D. Thompson Wylder

10 November 2019, 10:00 am CET

I Am My Body A thump, thump, thump opens the 1980 movie Right Out of History: The Making of Judy…

13 January 2019, 9:31 am CET

If you Google image “figural,” you’ll see thousands of images of Disney keyring dolls, mostly made of foam. Since abandoning…

13 January 2019, 9:06 am CET

Cuban artist Tania Bruguera’s installation “10,142,926” takes over Tate Modern’s Turbine Hall this fall with a series of works and…

13 January 2019, 8:43 am CET

Fanta Sylla: Ever since the publication of Maggie Nelson’s The Art of Cruelty: A Reckoning in 2011, I have yearned…

11 December 2018, 3:54 pm CET

The modern history of painting is framed by narratives of artists struggling to undercut its representational character as art’s most…

28 November 2018, 8:00 am CET

I first saw Judy Chicago’s Birth Trinity (1983) and Birth Tear/Tear (1982) when visiting the artist’s studio in Belen, New…

14 November 2018, 4:39 pm CET

Antek Walczak advances the medium of painting as a kind of machine through which social, economic, political, and technological systems…

10 November 2018, 8:00 am CET

Judy Chicago had been Judy Chicago for five years when she published her autobiography Through the Flower: My Struggle as…

10 November 2018, 8:00 am CET

“I feel as though I’m still not writing. I foresee and want a way of speaking that’s more fanciful, more…