Flash Art #312 January – February 2017

MACRO → ◯ Race, Class and Kelley Walker: A Tenth Disaster by Walter Benn Michaels

FEATURES → ◯ Spheres of Illusion — Oliver Payne by Eli Diner ◯ Centering the American World — Jimmie Durham by Jennifer Piejko ◯ Take Care — Anna-Sophie Berger by Laura McLean-Ferris ◯ Art in the Age of AR — Paul Pfeiffer by Alex Estorick ◯ Between Seeing and Touching — Sadie Benning by Olivian Cha

MICRO → ◯ The Privilege of Irrationality — The Young Pope by Cristiano de Majo

TIME MACHINE → ◯ Yes, Difference Again by Victor Burgin

REVIEWS → ◯ Georgie Nettell Reena Spaulings/New York ◯ Alex Da Corte Maccarone/New York ◯ Pietro Roccasalva The Power Station/Dallas ◯ Fred Lonidier Michael Benevento/Los Angeles ◯ Paul Sietsema Matthew Marks/Los Angeles ◯ Matthew Hale José García/Mexico City ◯ Bojan Šarčević Modern Art/London ◯ James Richards ICA/London ◯ Leigh Ledare Office Baroque/Brussels; Hannah Perry Contemporary Fine Arts/Berlin ◯ Etel Adnan Institut du monde arabe/Paris ◯ Sarah Charlesworth Campoli Presti/Paris ◯ Biennale de l’Image en Mouvement Geneva ◯ Wael Shawky Castello di Rivoli and Fondazione Merz/Turin ◯ Bianca Baldi Swimming Pool/Sofia ◯ Naama Tsabar Dvir/Tel Aviv ◯ Chen Shaoxiong Boers-Li and Tang Contemporary, Beijing ◯ He Xiangyu Kaikai Kiki and SCAI The Bathhouse/Tokyo