Zurich: Peripheral Presence.
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
Magazine Articles
TOWARDS A CYBERSPACIAL URBAN TERRAIN. A Conversation with Rem Koolhaas
Francesco Bonami: Do you still think that Manhattan is the center of the culture of congestion? Rem Koolhaas: It is…
The Familiar Strange. Phung-Tien Phan
I first came across the work of German-Vietnamese artist Phung-Tien Phan during a visit to Project Native Informant during the…
Nora Turato “pool7” ICA – Institute of Contemporary Arts / London
Nora Turato’s “pool7” is an elaborate attempt at an exorcism — of language, of self, and of what she repeatedly…
Bayberry Greenhouses: Monumentality and Cropscape
Clouds of mist part in the mountains of Lin’an (临安), China to reveal a fragment of reptilian skin. A mass…
How do we repair?
London, December 2024 Dear Lizzie, I noticed that last year Rory Pilgrim wrote this very same letter to a loved…
Image Theater Utopia. Kelsey Isaacs
Kelsey Isaacs’s shower floor is home to a sculptural tableau that quite literally sets the stage for a practice in…
Who Are These People? A Conversation with Kai Althoff
Carlo Antonelli: Who are these people, the ones that populates your works? Kai Althoff: They accumulate. Some return more often…
A Room with a View. Hardy Hill
The first camera was a darkened room. Through a pinhole, the outside world was reflected on the opposite wall, upside…
Participatory Design or Processual Formalism? Frei Otto, the Ökohaus, and the Ökohäusler
My first, fleeting encounter with the Ökohaus (Eco-House) project came during an all too brief visit to Berlin in November…
Pan Daijing “Sudden Places” Walker Art Center, Minneapolis
Intentional obfuscation runs through “Sudden Places,” the exhibition by Chinese-born, Berlin-based interdisciplinary artist Pan Daijing at the Walker Art Center…
Between Ruins: Zazou Roddam
I’ve known Zazou Roddam for almost a decade, long before Roddam considered herself an artist or I was curating. For…
Food for the Journey
In Christianity, the cross announces a terrifying requirement, a gloomy invitation to participate in that at which we “shudder,” according…
Survival Mechanism. A Conversation with Christine Sun Kim
Christine Sun Kim began working at the Whitney in 2007 as an educator, and later, as a consultant to establish…
Rineke Dijkstra “Beach Portraits” Städel Museum, Frankfurt am Main
There is no shortage of these images circulating around the internet, but coming face to face with them is another…
Sculpting Light. A Conversation with Nana Wolke
When I speak with Nana Wolke over Zoom, she has just returned to New York after spending Christmas in Ljubljana,…