A Fresh Start in Space
Ben Vickers: Perhaps we could begin with a small overview of Russian cosmism as it relates to your recent work.…
Ben Vickers: Perhaps we could begin with a small overview of Russian cosmism as it relates to your recent work.…
Exit > Voice If 2011 with its uprisings, protests and riots was the year of #voice, 2015 might be…
For the 2012 Havana Biennial, Roberto Fabelo Hung erected a translucent screen alongside Havana’s Malecón seawall, superimposing ghostly, digital reproductions…
Why show the land? The question came to me as I exited “The Idea of North,” the Hammer Museum’s exhibition…
Contributive Farming The Old Field Farm rises on the northern slopes of the Catskills, in Greene County, New York, approximately…
Over the course of more than two decades Rudolf Stingel has brought to the fore an approach to painting that…
It was then that she summoned the spirits. In 1965 the English-born Bridget Riley broke from the traditions of painting,…
The entire oeuvre of Columbian artist Doris Salcedo is informed by a strong political commitment that relentlessly confronts us with…
On several occasions, Christodoulos Panayiotou organized a kind of marathon that had little to do with the Greek original but…
The Great Plastic Vortex (2011), a work Alexander Heim presented at Art Basel’s “Art Statements” last June, refers to a…
For Ian Hamilton Finlay, not only is our contemporary world a secular, materialist and fallen one from which ideal meaning…
Martin Clark: Your work is very autobiographical. Can you talk about why you use your personal history so prominently in…
A conversation Adam Pendleton: What are you reading these days Glenn? Glenn Ligon: I started reading fiction again after a long…
Peter Eleey: When you talk about your work you put a lot of emphasis on the variability of the context…
During the summer of 1888 artist Paul Sérusier sojourned in Pont-Aven in Brittany, France, following the advice of artist Paul…