Art & Language
Although it may be difficult or even unfair to make a true assessment of the real extent of Art & Language’s…
Magazine Articles
Franz Erhard Walther
I have always felt fortunate to have come of age as an artist during the early ’70s (turning 20 in…
The Young and the Collected
“The brilliance of art as a collectible is that it has a way of reaching out on an emotional level.…
Ostalgia
An interview with Massimiliano Gioni by Silvia Conta SILVIA CONTA: “Ostalgia” is the title of the show you have curated…
Keith Sonnier. Light and space
Keith Sonnier is one of the first artists who worked with light as a sculptural material. In the late ’60s, he started experimenting with a combinations of incandescent light fixtures, neon tubes and other materials to explore the diffusion of light through various materials and the surrounding architectural space.
Air de Paris / Florence Bonnefous and Edouard Merino
Donatien Grau: You first established your gallery in Nice. Florence Bonnefous: We first met when we were both students at…
The Prosumer Version
Appropriation is ubiquitous today — both as an artistic procedure and as a discourse. This discourse emerged in the late…
Kerstin Brätsch
Maurizio Cattelan: Ciao, Kerstin. Sorry about that before, I didn’t hear you coming. I’ve always got these things in my…
Ayşe Erkmen
Ayşe Erkmen’s distinctive process shows a commitment to long-term research-based projects that can be traced as far back as the…
Djordje Ozbolt
There is a perverse logic in setting up a conversation between old friends Djordje Ozbolt and Subodh Gupta. After staying…
André Butzer
John Newsom: Knowing that in 1993 you encountered both Asger Jorn’s Green Ballet (1960) at the Hamburger Kunsthalle as well…
Gerhard Richter
Let us think this thought in its most terrible form: existence (das Dasein) as it is, without meaning or aim,…
Marina's Diary
On October 8, at the Garage Center for Contemporary Culture in Moscow, I will be presenting for the first time…
Mark Barrow
Nicola Trezzi: How important is the process in your work? Mark Barrow: The process is as important as any…
Zak Prekop
Daniel Byers: Can you talk about the idea of absence in your work? There are often gaps (which repeat as…
After the Deluge
The waters in Piazza San Marco were rising the night of the official Venice Biennale opening, causing a mini flood…