The Conditions that Shape. Sophie Friedman-Pappas
On the Greek island of Tinos, centuries-old dovecotes — white stone towers originally used to harvest pigeon droppings as fertilizer…
Magazine Articles
ANY: Silvery-Grayish Boxes
If cathode ray blue was the color of the “digital,” and millennial pink that of the “post-digital,” with perhaps a…
“HEAD FOR THE HILLS!” Hammer Museum / Los Angeles
The Hammer Museum group exhibition “HEAD FOR THE HILLS!” takes its title from John Knight’s 1974 untitled slide projection piece.…
Never Let Go. Sidsel Meineche Hansen
Immersed in a perpetual hypnagogic state, Sidsel Meineche Hansen’s Grumpy (2025) is an eviscerated yet undead killjoy – an agential…
Forms’ Fall from Utopia
We live in the shadows of forms. Ideas, perfection of realities made through abstraction. Extracting something’s essence through philosophical clinical…
The Device of Eternal Motion. A Conversation with Karla Kaplun
Mexican artist Karla Kaplun makes work around the construction and functioning of collective memory, and how that unfolds in dynamics…
“STEADYSTATE” Zero… / Milan
Time, in “STEADYSTATE,” doesn’t tick — it lingers, loops, and evaporates. The group exhibition at Zero… in Milan, co-curated with…
Zurich: Peripheral Presence.
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
TOWARDS A CYBERSPACIAL URBAN TERRAIN. A Conversation with Rem Koolhaas
Francesco Bonami: Do you still think that Manhattan is the center of the culture of congestion? Rem Koolhaas: It is…
The Familiar Strange. Phung-Tien Phan
I first came across the work of German-Vietnamese artist Phung-Tien Phan during a visit to Project Native Informant during the…
Nora Turato “pool7” ICA – Institute of Contemporary Arts / London
Nora Turato’s “pool7” is an elaborate attempt at an exorcism — of language, of self, and of what she repeatedly…
Bayberry Greenhouses: Monumentality and Cropscape
Clouds of mist part in the mountains of Lin’an (临安), China to reveal a fragment of reptilian skin. A mass…
How do we repair?
London, December 2024 Dear Lizzie, I noticed that last year Rory Pilgrim wrote this very same letter to a loved…
Image Theater Utopia. Kelsey Isaacs
Kelsey Isaacs’s shower floor is home to a sculptural tableau that quite literally sets the stage for a practice in…
Who Are These People? A Conversation with Kai Althoff
Carlo Antonelli: Who are these people, the ones that populates your works? Kai Althoff: They accumulate. Some return more often…
A Room with a View. Hardy Hill
The first camera was a darkened room. Through a pinhole, the outside world was reflected on the opposite wall, upside…