APERTO ’93: 1993–2023
Aperto ’93 set the artistic agenda for the 1990s. It is widely considered to have been one of the best…
Aperto ’93 set the artistic agenda for the 1990s. It is widely considered to have been one of the best…
Art history lectures frequently begin with an image of the Venus of Willendorf. The ancient fertility sculpture, with its exaggerated…
Visibility is a double-edged sword or, as French philosopher Michel Foucault once categorized it, “a trap.”1 The term’s duality is…
To mark their twentieth anniversary, the Mori Art Museum in Tokyo presents “Our Ecology: Toward a Planetary Living,” co-curated by…
Gina Fischli’s work revels in unattractive feelings that commercial and art institutions consider invalid or just too small to matter:…
Grace Wales Bonner: I just came back from Germany; I was there with Adidas. The show in Paris was really…
At Oude Kerk in Amsterdam, songs by Meredith Monk lure viewers into the church nave. Large LED screens, suspended from…
I spent a couple of weeks living with Diane Severin Nguyen in an Airbnb in Shanghai. She mostly took me…
Across Neverland terrains, we catch a fade. Words break off its surface with the slimmest shiver, its occurrence a blink.…
On first receiving the commission to write a profile on Barbara Kruger, my mind flashed to her piece Untitled (Your…
On top of a gorgeous hangover, Sophie Jung had no clean clothes, so she rocked up looking like shit, quite…
Mike and I used to hang out and talk at length about many things — art, life, memories. I am…
In this exclusive interview for Flash Art, cult moviemaker John Waters spoke to artist Mike Kelley about a range of…
Yuko Hasegawa took over the role of director of the 21st Century Museum of Contemporary Art, Kanazawa, in 2019, before…
“In the beginning, woman was truly the sun. An authentic person. Now she is the moon, a wan and sickly…
The energy at the opening celebration of Rirkrit Tiravanija’s solo exhibition at MoMA PS1 was electric. On that cold and…