La Grande Bouffe
Harry Lime, the cynical and diabolical character played by Orson Welles in The Third Man (1949), would have never imagined…
Harry Lime, the cynical and diabolical character played by Orson Welles in The Third Man (1949), would have never imagined…
Laura Mclean-Ferris: To begin this discussion about pastoralism, I’d like to ask about your most recent body of work, which…
Although it may be difficult or even unfair to make a true assessment of the real extent of Art & Language’s…
I have always felt fortunate to have come of age as an artist during the early ’70s (turning 20 in…
Keith Sonnier is one of the first artists who worked with light as a sculptural material. In the late ’60s, he started experimenting with a combinations of incandescent light fixtures, neon tubes and other materials to explore the diffusion of light through various materials and the surrounding architectural space.
The waters in Piazza San Marco were rising the night of the official Venice Biennale opening, causing a mini flood…
A tale of a Nose Everyone talks of the high life, money, carousing and non-stop parties of Venice. I love…
Pure draughtsmen are philosophers and dialecticians. Colorists are epic poets. — Charles Baudelaire In an interview published in March 2011…
Figurative painting in Britain over the past two decades is a story of fragmentation, of individual accomplishment that has never…
Rahma Khazam: “Intense Proximity” is the title of the triennial you are curating at Palais de Tokyo and other venues,…
There have always been artists who required us to do extra homework to be ready for the full intellectual effect…
Molto grigio con blu is one of a series of paintings done between 2001 and 2003 that mainly depicts glass…
The paintings of Leidy Churchman (b. 1979, US; lives in New York), Van Hanos (b. 1979, US; lives in New…
One day in 2009 Wang Xingwei (b. 1969, China; lives in Beijing) was leaving the pigment shop at the gate…
Manifold intentions define portraiture in painting today: to interrogate the portrait’s capacity to frame the dynamics of identity construction and…