Ján Mančuška
Vít Havránek: In your theoretical texts and live performances the artist is perceived as ‘Homo Politicus’ and political self-identification has…
Features
Apichatpong Weerasethakul
Florence Derieux: You created your own production company, Kick the Machine, right at the beginning of your career in 1999,…
Julian Schnabel
Edward Rubin: Your current exhibition “Julian Schnabel: Art and Film” at the Art Gallery of Ontario in Toronto is quite…
Sensation
Artists and curators always display a sense of badly concealed pride when one of their exhibitions is chastised as ‘controversial.’…
Tadeusz Kantor
Tadeusz Kantor was a man of vivacious contradictions both politically and in his work, an artist who dramatized as well…
Fabio Mauri
I did my first interview with Fabio Mauri in 1989, when I was working on an essay about the art…
Zeitgeist
The years was 1982, seven years before the fall of the Berlin Wall. Christos M. Joachimides, a Greek art historian,…
Tang Dixin
In a recent performance that took place in New York, in the context of last November’s Asia Contemporary Art Week,…
Neo-modern Shanghai and the Art of Abstraction
During the fall of 2015, Shanghai’s Power Station of Art hosted an exhibition titled “Calligraphic Time and Space: Abstract Art…
Sculpture as Slap
Carol Bove: Can we talk a little about this tree piece [from the series “Tree”] in your studio right now?…
Three hypotheses for a Text on Emilio Prini Published on Flash Art 306, January-February 2016, pp. 51–59
Since his earliest contributions to the Arte Povera movement in the 1960s, Emilio Prini (b. 1943 in Italy; lives in…
National Conditions
The turn of the new century has seen Shanghai shake off decades of cultural torpor. Yet the current, widespread image…
Liz Taylor Series
Started in 1982, Kathe Burkhart’s ongoing “Liz Taylor Series” (consisting of about three hundred paintings, drawings and prints) has opened…
Between Delight and Discomfort
How to jump on the information superhighway bandwagon? The past couple of years have seen dozens of exhibitions dealing with…
High Entertainment
This excerpt is taken from the author’s online book High Entertainment which interprets the myriad destabilizations ushered in by the digital…
Rodarte
Maurizio Cattelan: I am going to ask questions about family because I imagine your creative process to be familial and…