Chanel magically cruising in Lake Como. The brand unveiled its 25/26 Cruise collection in Villa d’Este, Italy by

by May 6, 2025

Beneath the shimmering twilight of an Italian dream, Chanel’s cruise extravaganza unfurled like a gossamer tapestry woven with stardust and moonbeams. The enchanted grounds of Villa d’Este, a jewel nestled on the shores of Lake Como, became a realm where fashion and fantasy intertwined in a mesmerizing waltz.

As if summoned by an ancient spell, luminous figures like Keira Knightley and Margaret Qualley graced this ethereal spectacle, their presence adding to the mystical aura that enveloped the 16th-century landmark. The very air seemed to whisper tales of royalty and silver screen legends who had once walked these hallowed halls.

The collection itself was a love letter to La Dolce Vita, each piece imbued with the essence of Italian romance and French sophistication. Delicate lacework, inspired by the villa’s flourishing gardens, adorned garments like dew on morning petals. Magnolias, wisteria, and camellias seemed to bloom anew in the form of exquisite embellishments and patterns.

From enchanted tweed ensembles that sparkled like starlit nights to diaphanous silk slips that flowed like liquid moonlight, the collection was a sartorial spell cast upon the beholder. Relaxed co-ords whispered of lazy, sun-drenched afternoons by the lake, while maintaining an air of effortless glamour.

As the last notes of this magical symphony fade, we stand on the cusp of a new era. Soon, Matthieu Blazy will wave his creative wand over the house of Chanel, promising to weave new enchantments into the fabric of fashion history.

In this twilight hour between visionaries, Chanel chose the timeless allure of Lake Como as its canvas. Here, where the air is perfumed with luxury and whispers of bygone eras, the Creation Studio conjured a collection that felt like a cinematic dream come to life.

Silk headscarves fluttered like butterfly wings, dark sunglasses held secrets of silver screen sirens, and a pristine white tweed coat evoked the comforting embrace of a hotel robe touched by Midas. As night fell, the collection transformed, shimmering with disco glamour – ruffled dresses in pastel hues danced with the breeze, opera gloves reached for the stars, and lamé capes caught the light like fallen constellations.

Playful accessories appeared as if conjured by a whimsical sorcerer – handbags masqueraded as gelato tubs, beach bags clinked with golden chains, and flower-adorned sunhats bloomed like enchanted gardens. Each piece a talisman, coveted by the exclusive coterie in attendance.

As the last model vanished from the runway like Cinderella at midnight, the spell lingered. Sofia Coppola’s short film, a moving portrait of this magical moment, played like a dream within a dream. And as the applause faded into the balmy Italian night, one could almost hear the whispers of future fashion fables waiting to be told.

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