Doug Aitken “HOWL” Galerie Eva Presenhuber / Zurich
“HOWL,” the current exhibition of prophetic multimedia works by Doug Atkins, accelerates through Galerie Eva Presenhuber’s Maag Areal campus with…
“HOWL,” the current exhibition of prophetic multimedia works by Doug Atkins, accelerates through Galerie Eva Presenhuber’s Maag Areal campus with…
What is creation if not negation — if not a definite stroke distinguishing some thing from the next? Death is…
The camera — a tool made for documenting the historic, the unbelievable, and the official — is now nearly one…
In the heart of Tokyo in the mid-1980s, a young girl first encountered the enigmatic allure of contemporary art. Since…
Michel Foucault begins The Order of Things with an investigation of the seemingly nonsensical Chinese encyclopedia found in Jorge Luis…
In Dean Sameshima’s photographs on view at O-Town House, taken covertly in adult movie theaters in Berlin, there is rarely…
Walking into Paula Cooper Gallery’s space on 534 West 21st Street for the opening of Tauba Auerbach’s new solo show,…
If Agnes Martin’s drawings and paintings are essays on “inwardness and silence,” as they have previously been described, then Adelaide…
“X” speaks of cryptic notice: a point slyly declarative and deliberately obscuring. Beyond codification, “X” is a teasing mark of…
Upon entering Carlota Guerrero’s exhibition “Registro 6: Manglar,” curated by Mariona Valdés, in Paris, visitors are asked to remove their…
Obliquely affiliated with the Pictures Generation of the 1980s, Gretchen Bender’s fierce use of film and television as source material…
By observing expressions of human loneliness materialized in sphinxlike forms, “Frontal Sphinx” offers a constellation of images that reflect on…
Illness is life-adjacent, a consensus we ought to have reached during the pandemic. Regardless, as Susan Sontag argued, illness is…
On high ground overlooking Paris, poet Alice Notley reads the words, “I stand here in whose eyes / the name…
The exhibition “Make Room” opens with a work titled Hysteria (2022) — featuring a cubist-faced figure wearing a striped-and-polka-dotted dress…
Talk about overproduction. With “What Do People Do All Day” and “Boulevard of Crime” Simon Dybbroe Møller doubles down and…