Gino De Dominicis
From Flash Art International No. 131 December 1986 That a symbol can mean one thing and at the same time…
From Flash Art International No. 131 December 1986 That a symbol can mean one thing and at the same time…
The Berlin photographer Michael Schmidt’s work is some of the most significant and at the same time least well known…
Francesco Vezzoli: Let’s start with Caligula, the movie. What did you think when you saw it for the first time?…
Since the “founding” of Reena Spaulings sometime in 2004 a cloud of mystery has hung over the phenomenon. Who —…
Even though Dresden and Leipzig are not so far apart geographically, the quality of painting emerging from these two East…
As part of its journey through the major contemporary art centers worldwide, this issue of Flash Art International explores one…
La Force de l’Art,” the first edition of a triennial initiated by the French Ministry of Culture, opened in the…
In the footsteps of Pierre Huyghe, Philippe Parreno and Dominique Gonzalez-Foerster, who are among the leading mid-career French artists, and…
The subject of Douglas Gordon and Philippe Parreno’s new film, Zidane, A Portrait of the 21st Century, is a myth…
In New York everything happens quickly: three years are an era, a period long enough to test an entire generation,…
Jérôme Sans: Let’s start by talking about shows. How do you approach exhibition spaces? Are some better than others? Daniel…
After a video trilogy on the city of Tehran — Tehran 1380 (2002) made in collaboration with Tirdad Zolghadr, Good…
Beatrice Leanza: Since the mid ’90s your work has consisted mainly of five large series of paintings (“International Scenery,” “Climbing…
Raw art that exists in extremis, at the very edges of culture and beyond — this could be one definition…
Andrea Bellini: When you curated the show “Superflat” at MOCA in Los Angeles, you wrote that the world in the…
When Marina Abramovic was in the early stages of planning her “Seven Easy Pieces,” the re-staging of seven seminal performances…