Matthew Barney
Originally published in Flash Art no. 162, 1992. I was teaching… and the one thing that terrified me no end…
Originally published in Flash Art no. 162, 1992. I was teaching… and the one thing that terrified me no end…
Lina Bertucci: As a visual artist, is your approach to filmmaking different from a traditional filmmaker’s? Shirin Neshat: From the…
For two years Dutch filmmaker Renzo Martens traveled through the war zones and swamps of the African Republic of Congo.…
Appropriation is ubiquitous today — both as an artistic procedure and as a discourse. This discourse emerged in the late…
RoseLee Goldberg: Shirin, it would be really interesting if we could begin with a comment from you about moving across…