Ghost:2568: Wish We Were Here
“Ghost:2568,” the third and final iteration of the Bangkok-based video and performance series “Ghost,” builds on the city as both its site…
To speak of vulnerability as soft power is to encounter its double. Hidden agency, bare desire, and quiet possession take…
“Ghost:2568,” the third and final iteration of the Bangkok-based video and performance series “Ghost,” builds on the city as both its site…
During Art Basel Miami Beach week, landing in Oslo at 0°C may not seem like the obvious choice. But step…
Eleanor Antin’s Blood of a Poet Box (1965–68) assembles, quite literally, the blood of a hundred poets: samples on glass…
352 FALL 2025, Unpack / Reveal / Unleash
In the myth of Eros, the god of love and desire emerged from Chaos in the beginning of life itself…
351 SUMMER 2025, Unpack / Reveal / Unleash
On the Greek island of Tinos, centuries-old dovecotes — white stone towers originally used to harvest pigeon droppings as fertilizer…
350 SPRING 2025, Unpack / Reveal / Unleash
Kelsey Isaacs’s shower floor is home to a sculptural tableau that quite literally sets the stage for a practice in…
349 WINTER 2024-25, Unpack / Reveal / Unleash
One image, slid. Something like cleavage, crumpled, diminishes into the groin. One image, synthesized. She is hard, interstice furling interstice,…
UNIVERSALITY NOW AND HOW WE GOT PARTICULAR Threats to the security, freedom and dignity of life today from global ecological…
Features, VOLUMES - Crisis Formalism
Almost nothing is too much. – Reyner Banham, 19621 It is not uncommon to hear that architecture today has dissolved,…
They remained oblivious to the worlds within worlds that existed just beyond the edge of their awareness and yet were…
Michael Abel: First question — how does Volumes begin? Luigi Alberto Cippini: What I tried to do, within my limitations, was to make something…
If cathode ray blue was the color of the “digital,” and millennial pink that of the “post-digital,” with perhaps a…
Features, VOLUMES - Crisis Formalism
Carlo Antonelli: Who are these people, the ones that populates your works? Kai Althoff: They accumulate. Some return more often…
Plans are always copy-pasted. There is no planning, no imagination. Seoul is not built; it is generated through calculation. Buildings…
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
“It did what all ads are supposed to do: create an anxiety relievable by purchase.” – David Foster Wallace, Infinite…
“You see the eastern critics and historians that assigned Chicago the place of the skeleton frame, thereby, you know, together…
89 Seconds to Midnight. Yngve Holen
Shadow Theater. Solomon Garçon 
The Straightforward Complexity of Psyche. Paul McCarthy
Square One. A conversation with Kate Spencer Stewart
Half-there
Gala Porras-Kim “Recollection Returns with a Soft Touch” Museum of Civilizations, Rome
Don’t Be Alive. Aki Goto
Eros is a verb. Coco Klockner